![]() ![]() Warren, who grew up in Los Angeles, recounted her dad's reply: "She has talent. "My mom would be saying, 'Why are you doing it? Why are you encouraging her? She can't make a living off that.'" ![]() "He believed in me so much he would take me to music publishers when I was 14 or 15," Warren said. The Academy Awards ceremony, originally set for February and delayed by the pandemic, airs April 25, the birthday of her late father, David Warren, and a coincidence that she calls "so cool." "I feel like a team that's gone to the World Series for decades and decades, and never wins."Ī triumph would be especially sweet for the veteran songwriter whose first Oscar bid was in 1988 (for the romcom "Mannequin"). It would be (expletive) awesome," Warren said. And that's really too bad, because if there's one audience that buys into event movies, it's adolescents - and, for all of its many flaws, Godzilla at least knew that much.A trophy for the Italian-language film's song, "Io Si (Seen)," would be Warren's first after 11 previous Academy Award nominations came up short. ![]() Of course, stumbling post-grungsters Our Lady Peace and fledgling folk chanteuse Chantal Kreviazuk are added as attractions for younger audiences, but they don't add much to the stodgiest "event movie" soundtrack in memory. Nevertheless, the album features no less than four Aerosmith tunes, including the singles "I Don't Want to Miss a Thing" and "What Kind of Love Are You On," both of which are pretty standard latter-day Aerosmith songs that are outclassed not only by "Sweet Emotion," but even their hamfisted cover of "Come Together." Those four songs provide the core of an album that is clearly aimed at a "mature" audience - well, with new songs from Shawn Colvin, Patty Smyth, Jon Bon Jovi, Trevor Rabin, and Journey (complete with new vocalist Steve Augeri), plus oldies by ZZ Top and Bob Seger, the album was never really intended for a young audience. That was before Nine Lives bombed and the group lost much of their teen following. Sometime during production, Columbia evidently bet that Aerosmith, whom they recently acquired for millions of dollars, would be a big draw. A would-be blockbuster soundtrack for a would-be blockbuster, Armageddon is a strange album, as far as carefully tailored soundtracks go. ![]()
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